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  • Club 50 sign on a Nevada Highway.  Licensing and Open Edition Prints.
    Club50-8b-0073.jpg
  • Welsh Dragon symbol on Welsh Building in the UK.  Licensing and Open Editions Prints.
    WelshDragon7841.jpg
  • Bald eagles are one of more than a dozen raptor (birds of prey) species in Yellowstone. The bald eagle is a recovered endangered and threatened species. NPS / Jim Peaco The bald eagle ( Haliaeetus leucocephalus ) was named the national symbol of the United States by Congress in 1782. Licensing and Open Edition Prints
    SnakeABaldEagle2419.jpg
  • Edition of 49 includes all sizes<br />
Potato Still Life Mama Potato. First images in the Potato Series
    Mama Potato.tif
  • Edition of 49 includes all sizes<br />
Potato Still Life Diced Potato. First images in the Potato Series
    Diced Potato .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life - Hallowed  Potato. First images in the Potato Series
    Hallowed Potato .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life - Puckered Potato.  First images in the Potato Series
    Puckered Potato .tif
  • Limited Editions of 75 All Sizes Included.  Black and white portrait of an Idaho Potato.
    IdahoPotato II BW Positive---3.jpg
  • Edition of 49 includes all sizes<br />
Potato Still Life - Golf Idaho. From the Potato Series.<br />
Larger digital file available.
    Golf Idaho-Edit.jpg
  • Limited Editions of 75 All Sizes Included.  Black and white portrait of an Idaho Potato.
    Idaho Potato BW1.jpg
  • Edition of 49 includes all sizes<br />
Potato Still Life-Puzzled Potato. First images in the Potato Series
    Puzzled Potato .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life - Enlightened Potato. From the Potato Series. Larger digital file available.
    Enlightened-Potato.jpg
  • Edition of 49 includes all sizes<br />
Potato Still Life - Still Desirable. First images in the Potato Series
    Still Desirable .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life - Bad Hair Potato. Early images in the Potato Series
    Bad Hair Potato .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life Papa Potato. First images in the Potato Series
    Papa Potato .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life Sliced Potato. First images in the Potato Series
    Sliced Potato .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life - Red Potato Lantern. First images in the Potato Series
    Red Potato Lantern .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life - Object of Desire. First images in the Potato Series
    Object of Desire .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life - Escape Potato. First images in the Potato Series
    Idaho Escape .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life Tater Tot.  First images in the Potato Series
    Tater Tot .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life - Cupid's   Potato. First images in the Potato Series
    Cupid's Potato .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life Star Potato.  First images in the Potato Series
    Star Potato .tif
  • Edition of 49 includes all sizes<br />
Potato Still Like Spiked Potato. First images in the Potato Series
    Spiked Potato .tif
  • Edition of 49 includes all sizes<br />
Potato Still Life Crescent Potato. First image in the Potato Series
    Crescent Potato .tif
  • Snake Petroglyph stone drawing on river side boulders along the Snake River in Hells Canyon were left by ancient Native American tribes. Long before European immigrants first set foot in this country, the ancestors of the Nimiipuu (Nez Perce) created densly grouped clusters of petroghlyphs and a few pictographs on either side of an eddy formed by a series of sharp bends in the Snake River. These images provide links to the past, reminding us of the timeless connection humans have to this land.<br />
<br />
Known as Buffalo Eddy, the site takes its name from images on the Idaho side of the river, depicting bison chased by Indians on horse back. The unique petroglyphs of this area are evidence of the longevity of the Nimiipuu in the region and contain hundreds of distinct images that possibly date from as early as 4,500 years ago and continue to just a few hundred years ago. The fact that this site was used for so long suggests that it was very important to the people who lived here.<br />
<br />
The petroglyphs and pictographs at Buffalo Eddy reflect a rich culture. Anthropologists who study rock art can often find patterns in the symbols that are found in the Columbia River Basin, and can make educated guesses on why symbols were painted or pecked into rock faces. Perhaps the figures and symbols are a form of storytelling or an expression of spirituality. They could even be a form of artistic expression.<br />
<br />
While scientists can make assumptions, ultimately no one but their creators know the exact significance of the images. We cannot hope to reconstruct the day of their creation. Was it done through a shaman's chants and intricate dance steps during an elaborate ceremony, or during a moment of introspection experienced by solitary visitors? All we have is the silent testimony of ancient images to pique our imaginaiton, and every person who sees them today takes away their own meanings. Licensing and Open Edition Prints
    SnakePetroglyphs8901.jpg
  • Petroglyph stone drawings on river side boulders along the Snake River in Hells Canyon were left by ancient Native American tribes. Long before European immigrants first set foot in this country, the ancestors of the Nimiipuu (Nez Perce) created densly grouped clusters of petroghlyphs and a few pictographs on either side of an eddy formed by a series of sharp bends in the Snake River. These images provide links to the past, reminding us of the timeless connection humans have to this land.<br />
<br />
Known as Buffalo Eddy, the site takes its name from images on the Idaho side of the river, depicting bison chased by Indians on horse back. The unique petroglyphs of this area are evidence of the longevity of the Nimiipuu in the region and contain hundreds of distinct images that possibly date from as early as 4,500 years ago and continue to just a few hundred years ago. The fact that this site was used for so long suggests that it was very important to the people who lived here.<br />
<br />
The petroglyphs and pictographs at Buffalo Eddy reflect a rich culture. Anthropologists who study rock art can often find patterns in the symbols that are found in the Columbia River Basin, and can make educated guesses on why symbols were painted or pecked into rock faces. Perhaps the figures and symbols are a form of storytelling or an expression of spirituality. They could even be a form of artistic expression.<br />
<br />
While scientists can make assumptions, ultimately no one but their creators know the exact significance of the images. We cannot hope to reconstruct the day of their creation. Was it done through a shaman's chants and intricate dance steps during an elaborate ceremony, or during a moment of introspection experienced by solitary visitors? All we have is the silent testimony of ancient images to pique our imaginaiton, and every person who sees them today takes away their own meanings. Licensing and Open Edition Prints
    SnakePetroglyphs8891.jpg
  • North America's first chair lift is a symbol of Sun Valley Idahos heritage of a destination ski resort that welcomes more visitors in the summer months. Licensing and Open Edition Prints.
    RuudChairliftSummer.jpg
  • Old classic recreational vehicle (RV) detail of front end design symbol of vehicle.
    RV0251.jpg
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Kirk Anderson Photography

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